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Scene 04: Sir Peter Owns Steven Angel And Lex Vargas’ Asses Tomas Brand sometimes finds himself with the desire to bottom, and before he fucks the living hell out of Kosta Viking, he first bends over and take it up the ass from the beautiful young man! During their first kiss, Kosta is sitting on Tomas Brand’s knee in his underwear, and his daddy is fondling his erection in his black briefs. Lex Vargas is back at it again, and this time he’s hanging out on the beach with his college buddy Steven Angel. Lex didn’t know that Steven had an older and incredibly handsome new boyfriend, however. But when Lex met Sir Peter, he was instantly transfixed by him.
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While at the beach, Lex and his buddy Steven started fooling around in the waves of the ocean while Sir Peter laid on the beach watching them and rubbing the growing bulge in his swim briefs. Steven brings Lex to his man on the beach, and they both start pleasuring him and smothering him with sexual affection. Soon they are taking turns sucking on Sir Peter’s dick before they man up and expose their holes for deep and invasive anal penetration from Sir Peter’s enormous uncut Portuguese cock.Kick-Ass is a 2010 superhero film directed by Matthew Vaughn from a screenplay by Jane Goldman and Vaughn. It is based on the comic book of the same name by Mark Millar and John Romita, Jr. It tells the story of an ordinary teenager, Dave Lizewski ( Aaron Johnson), who sets out to become a real-life superhero, calling himself "Kick-Ass". Dave gets caught up in a bigger fight when he meets Big Daddy ( Nicolas Cage), a former cop who, in his quest to bring down the crime boss Frank D'Amico ( Mark Strong) and his son Red Mist ( Christopher Mintz-Plasse), has trained his eleven-year-old daughter ( Chloë Grace Moretz) to be the ruthless vigilante Hit-Girl. The film was released in the United Kingdom on 26 March 2010, by Universal Pictures, and in the United States on 16 April, by Lionsgate. In 2011 it won the Empire Award for Best British Film.ĭespite having generated some controversy for its profanity and violence performed by a child, Kick-Ass was well received by both critics and audiences.